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Barry Adamson

Background information
Born 1 June 1958 (1958-06-01) (age 50)
Moss Side, Manchester, England
Genre(s) Alternative pop/rock
Punk rock
Electronica
Jazz
Post-punk
Years active 1977–present
Label(s) Central Control International, Mute
Associated acts Magazine, Buzzcocks, Visage, Pete Shelley, The Birthday Party, Nick Cave and the Bad Seeds, Pan Sonic
Website www.barryadamson.com
Notable instrument(s)
Rickenbacker bass

Barry Adamson (born 1 June 1958) is an English rock musician who has worked with rock bands such as Magazine, Visage, Nick Cave and the Bad Seeds, and the electronic musicians Pan sonic. He has also worked on film soundtracks for David Lynch, and released numerous solo recordings.

Contents

Biography

Early life

Born in Moss Side, Manchester, [1] Adamson read comic books from an early age. In school he absorbed himself in art, music and film, writing his first song, "Brain Pain", at the age of 10. His musical influences were diverse, ranging from Alice Cooper to Motown to David Bowie.

Career

Adamson left school and shifted into graphic design attending Stockport Art College[2] but quit shortly after, favouring to venture into the exploding punk rock scene of the late 1970s. He joined ex-Buzzcocks singer Howard Devoto's band Magazine, playing bass guitar, scoring one chart single, "Shot by Both Sides"; in late 1977, he also joined Buzzcocks, as a short-time replacement of Garth Smith. He played on all of Magazine's albums, and contributed to Devoto's solo album and his next band, Luxuria. He also contributed to the studiobased band Visage, playing on the ensemble's first two albums, Visage and The Anvil.

After Magazine broke up, Adamson worked with another ex-Buzzcock, Pete Shelley, before joining Nick Cave and the Bad Seeds. He appeared in four of that band's albums: From Her to Eternity, The Firstborn Is Dead, Kicking Against the Pricks and Your Funeral, My Trial. After his stint in the band, he released his first solo album, Moss Side Story.

His solo work is influenced by John Barry, Elmer Bernstein and Ennio Morricone. Later works have included jazz, electronica, soul, funk, and dub styles.

In 2002, Adamson left his long-term label, Mute Records, and started his own 'production home', Central Control International. In 2006, he released Stranger on the Sofa, first for his Central Control International imprint, to critical acclaim. Back To The Cat, his second album for the label, was released in March 2008.[1]

Barry Adamson at Primavera Sound Festival in Barcelona, Spain, 1 June 2007.

Film soundtracks

His "Refugee Song" was included in Derek Jarman's The Last of England. Adamson also contributed soundtrack material to Gas Food Lodging, David Lynch's Lost Highway and Oliver Stone's Natural Born Killers.

Instruments

Accoding to some fans, during his days in Magazine and Nick Cave And The Bad Seeds, he used a Rickenbacker JG, but it could be a 4001 or 4003 model.

Discography

Albums

Year Title
2008 Back To The Cat
2006 Stranger on the Sofa
2002 King of Nothing Hill
1999 The Murky World of Barry Adamson (compilation)
1998 As Above, So Below
1996 Oedipus Schmoedipus
1993 The Negro Inside Me
1992 Soul Murder
1989 Moss Side Story

EP's

Year Title
1998 Can't Get Loose
1996 Achieved In The Valley Of The Dolls
1995 The Big Bamboozle
1995 Movieology
1992 Cinema Is King
1989 Taming of the Shrewd

Singles

Year Title
2008 "Straight 'til Sunrise" (download only)
2006 "The Long Way Back Again" (CD and 7")
2002 "Whispering Streets"
2002 "Black Amour"
2001 "Motorlab #3" (with Pan Sonic)
1999 "The Crime Scene"
1998 "Jazz Devil"
1998 "What it Means"
1991 "These Boots Are Made For Walking" (with Anita Lane)
1988 "The Man With The Golden Arm"

Soundtracks

Year Title
2001 The World Of Interiors
2000 The Beach
1997 To Have And To Hold
1997 Lost Highway
1994 Natural Born Killers
1991 Delusion

References

External links

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