Diemazz

Image:Kadar Tol GIF
Km²
Argentine literature
Glossary of sumo terms
Image:Nullabor plain from the indian pacific jpg
National Communications Commission
Time boxing
Turhan Bey
Mia Thermopolis
t65t
Swiss cheese
Jaya
Cunningham by election, 2002
t239t
Category:Canadians of Iranian descent
United Nations Mission in Bosnia and Herzegovina
Charlie Van Dyke
One pound (British decimal coin)
Municipio
Murder, She Wrote
Suur MunamØîgi
Lobh
1 (MBTA bus)
1571 venetian
t588t
Tarut Island
Inchoate offense
Template talk:RSAF Airbases
Kashiharajing¨± mae Station
Ryazan Oblast
WPLN
Organizers of the September 11 attacks
Class war
KLC
Cellular frequencies
Oren Ambarchi
Image:Weights and Measures office jpg
States and territories of Australia
Digital Photography Review
Aodai
Drusilla (sister of Caligula)
Biju Janata Dal
t475t
Kecskemét
Novyi Kalyniv
Church (disambiguation)
Whistle
Template:Notabilityguide
bad boy
Image:American Cruise Lines gif
t957t


The Southern Agrarians (also known as the Vanderbilt Agrarians or Nashville Agrarians) were a group of twelve American writers and poets with roots in the Southern United States who joined together to publish an agrarian manifesto, a collection of essays entitled I'll Take My Stand in 1930.

The Southern Agrarians formed an important conservative branch of American populism, and contributed to the revial of Southern literature in the 1920s and 1930s known as the Southern Renaissance. They were mostly based out of Vanderbilt University in Nashville, Tennessee.

Contents

Members

The Southern Agrarians included:

Beliefs

The Agrarians evolved from a philosophical discussion group known as the "Fugitives" or "Fugitive Poets". Their studies of poetic modernism and of H. L. Mencken's stinging critique of Southern culture led them to confront the effect of modernity on Southern culture and tradition. The informal leader of the Fugitives and the Agrarians was John Crowe Ransom, though he formally repudiated agrarianism in a 1945 essay. The most eloquent exponent of the Agrarian philosophy eventually proved to be Ransom's student and Donald Davidson's friend, Richard M. Weaver. Unlike the others, Weaver taught at a Northern institution, the University of Chicago.

The Agrarians bemoaned the loss of traditional Southern culture. Their manifesto was an attack on modern industrial America. It posited an alternate direction based on a return to traditional American values.

Seward Collins, editor of The American Review, which published some essays by Agrarians in 1933, praised Benito Mussolini and Adolf Hitler for thwarting a communist revolution in Germany. In 1936, however, Allen Tate published a critique of fascism in The New Republic, to distance the Agrarians from Collins.

Robert Penn Warren eventually emerged as the most accomplished of the Agrarians, but he also largely repudiated their views.[citation needed] He became a major American poet and novelist, winning the Pulitzer Prize for his 1946 All the King's Men. He acted as a mentor to the African-American author Ralph Ellison, among many others in his career, and supported him for awards and memberships in prestigious cultural organizations. Warren left the Agrarians behind as his political and social views evolved, particularly his liberal political philosophy and support for racial integration.

I'll Take My Stand was originally criticized as a reactionary and romanticized defense of the Old South. It was viewed as little more than nostalgia. In recent years, scholars such as Carlson, Scotchie, Genovese and others have taken a second look at this book, in light of the problems of modern industrial society and its effect on the human condition and the environment.

Today, the Southern Agrarians are lauded regularly in the pro-South Southern Partisan. Their philosophy has been refined and updated by scholars such as Allan C. Carlson and the writer Wendell Berry. It has been explored in books published by ISI Books, the book imprint of the Intercollegiate Studies Institute.

Vanderbilt University

Many of the Southern Agrarians and Fugitive poets were connected to Vanderbilt University, either as students or as faculty members. Davidson, Lytle, Ransom, Tate, and Warren all attended the university; Davidson and Ransom later joined the faculty, along with Owsley.

Bibliography

  • Bingham, Emily, and Thomas A Underwood, eds., 2001. The Southern Agrarians and the New Deal: Essays After I'll Take My Stand.
  • Carlson, Allan, 2004. The New Agrarian Mind: The Movement Toward Decentralist Thought in Twentieth-Century America.
  • Morton, Clay, 2007. "Southern Orality and 'Typographic America': I'll Take My Stand Reconsidered" in Themes of Conflict in the Nineteenth- and Twentieth-Century Literature of the American South.
  • Murphy, Paul V., 2001. The Rebuke of History: The Southern Agrarians and American Conservative Thought.
  • Scotchie, Joseph, "Agrarian Valhalla: The Vanderbilt 12 and Beyond" Southern Events.

search:

Site Map: RSS 2.0

Recent Searches: Southern Agrarians
trade show display booths
Camlet
Wikipedia:Manual of Style (anime and manga related articles)
Tsutomu Kashiwakura
Transverse Ranges
Frank Thomas (AL baseball player)
Playwriting
Williamsdale, New South Wales
WKDQ

Related Pages: